Call for Papers ArchiveTraditional forms in poetry and prose have often been seen as opposed to accidental, unanticipated, or unseen forces. Writing that takes chance as its defining principle frequently positions itself outside or against the literary mainstream. How might we move beyond this restrictive binary to conceive of creativity in ways that embrace contingency, accident, and/or surprise? Interruptions, distractions, fortuitous forgettings, slips of the tongue/pen, factual or grammatical mistakes, occasions and commissions, joint authorship, collaborations within and across media, constraints of production—in what ways might these factors be integral, rather than opposed, to the creation of art? How have writers and artists, as well as thinkers from disciplines such as philosophy, psychoanalysis, and the social sciences, approached such contingencies? This panel will address these issues via the close study of specific texts as well as the compositional practices that surround them. We particularly seek papers that join theoretical models with close attention to textual/artistic examples. Please send a 250-word abstract, plus a brief bio, to email@example.com and firstname.lastname@example.org by Monday, March 4th.
Conference Location: Brighton, UK
Conference Starts: August 29, 2013
Conference Ends: September 01, 2013
CFP Submission Deadline: March 04, 2013
For more information, contact: Erica McAlpine, Reena Sastri