Modernism and the Essence of Technology (MSA 14)Heideggerâs famous essay âThe Question Concerning Technologyâ begins with the claim that âtechnology is not equivalent to the essence of technology.â In his terms, the essence of technology precedes any particular, historical, concrete manifestation of technology, any particular device and constitutes the âtechnologicalnessâ that pervades every particular piece of technology. In order for people not to be âunfree and chained to technology,â he argues, we must consider technologyâs essence, rather than only pursuing or evading, loving or hating particular developments in the endless stream of new devices.
This proposed panel seeks to examine how modernism and modernists understood what Heidegger calls the essence of technology. How did modernist writers define technology as a category? For these writers, what âtechnologicalnessâ tied together technologies in all of their various concrete manifestations? How did their understanding of technologyâs essence differ from and dovetail with that of other philosophers of technology, both contemporary to the modernists (Heidegger, but also Mumford, Benjamin, McLuhan, Marcuse, etc.) and to us (Stiegler, Siegert, Kittler, etc.)? How did writersâ understanding of the essence of technology affect or shape their definitions of art or the literary? What role might spectacle play in modernismâs philosophies of technology?
Please send 300-word abstract and brief bio to Heather Fielding (firstname.lastname@example.org) by March 30.
Conference Location: Las Vegas, USA
Conference Starts: October 18, 2012
Conference Ends: October 21, 2012
CFP Submission Deadline: March 30, 2012
For more information, contact: Heather Fielding